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One of his pieces was featured on the Spring 1957 cover, depicting two log drivers at work with a third man watching them. In the Winter issue later that year, editor Bob Mizer coined the credit Tom of Finland. In 1956 Laaksonen submitted drawings to the influential American magazine Physique Pictorial, which premiered the images in the 1957 Spring issue under the pseudonym Tom, as it resembled his given name Touko. The caption notes that reproductions of the complete "natural (nude) Tom drawings" are for sale by mail order. In gay magazines, Laaksonen's drawings were often cropped to be less explicit, as in this 1968 edition of Physique Pictorial. Another key difference is the lack of dramatic compositions, self-assertive poses, muscular bodies and "detached exotic settings" that his later work embodied. The men featured were middle-class, as opposed to the sailors, bikers, lumberjacks, construction workers, and other members of stereotypically hypermasculine working class groups that feature in his later work. Laaksonen's artwork of this period compared to later works is considered more romantic and softer with "gentle-featured shapes and forms". The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway-they had the sexiest uniforms!" After the war, in 1945, he returned to studies. I am thinking only about the picture itself.
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"In my drawings I have no political statements to make, no ideology. He later attributed his fetishistic interest in uniformed men to encounters with men in army uniform, especially soldiers of the German Wehrmacht serving in Finland at that time. He served as an anti-aircraft officer, holding the rank of second lieutenant. At first he kept these drawings hidden, but then destroyed them "at least by the time I went to serve the army." The country became embroiled in the Winter War with the USSR, and then became formally involved in World War II, and he was conscripted in February 1940 into the Finnish Army. In his spare time he also started drawing erotic images for his own pleasure, based on images of male laborers he had seen from an early age. He went to school in Turku and in 1939, at the age of 19, he moved to Helsinki to study advertising. The family lived in the school building's attached living quarters. Both of his parents Suoma and Edwin Laaksonen were schoolteachers at the grammar school that served Kaarina.
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Laaksonen was born on and raised by a middle-class family in Kaarina, a town in southwestern Finland, near the city of Turku.